
What a joy. Shooting art in one of New Jersey's finest art museums. Our first film is called "Claybodies" and is a very special exhibit displaying the work of 14 different artists.
Nothing will deteriorate image quality faster than sunlight shining directly on to the front of your lens. To give you a comparable example, you know how it feels when you walk out of a darkened movie theater into direct sunlight? Everything looks sort of washed out and icky. That can happen to your camcorder too, if you don't take steps to protect its "eyes."
The best bet for preventing lens flare is a custom lens hood designed by your camera manufacturer. If your camcorder doesn't accept a lens hood, then you can use your hand to block the harmful rays of the sun. But that can be awkward if you're taping without a tripod.
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by Derrick Story, author of the Digital Video Pocket Guide
Your eyes and brain can quickly adapt to mixed lighting situations -- such as tungsten, daylight, and fluorescent -- but your camcorder has a much more difficult time. fluorescent lights often cause a greenish cast, while tungsten makes things orange-ish; even good ol' daylight can color your scene blue if you're in the shade or next to an open window.
How the heck do you deal with all of that?
The best solution is to try to limit your light sources, and then use your camcorder's white balance setting adjust for the dominate light source. So if you're indoors with lots of light streaming in the windows and bright fluorescents overhead, then either turn off the fluorescents and balance for the daylight, or pull down the window shades and adjust for the overhead lighting.
Once you start thinking about mixed lighting sources, you can take steps to avoid those situations. When you can't, try to limit the different types of illumination and adjust your white balance accordingly.